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Detecting the South in Fiction, Film, and Television

Edited by Deborah E. Barker and Theresa Starkey

Type
Studies
Subject
GenreMystery
Keywords
detective films, American South
Publishing date
2019
Publisher
LSU Press
Collection
Southern Literary Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 360 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-8071-7165-3
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Book Presentation:
Detecting the South in Fiction, Film, & Television, edited by Deborah E. Barker and Theresa Starkey, examines the often-overlooked and undervalued impact of the U.S. South on the origins and development of the detective genre and film noir. This wide-ranging collection engages with ongoing discussions about genre, gender, social justice, critical race theory, popular culture, cinema, and mass media. Focusing on the South, these essays uncover three frequently interrelated themes: the acknowledgment of race as it relates to slavery, segregation, and discrimination; the role of land as a source of income, an ecologically threatened space, or a place of seclusion; and the continued presence of the southern gothic in recurring elements such as dilapidated plantation houses, swamps, family secrets, and the occult. Twenty-two critical essays probe how southern detective narratives intersect with popular genre forms such as neo-noir, hard-boiled fiction, the dark thriller, suburban noir, amateur sleuths, journalist detectives, and television police procedurals.

Alongside essays by scholars, Detecting the South in Fiction, Film, and Television presents pieces by authors of detective and crime fiction, including Megan Abbott and Ace Atkins, who address the extent to which the South and its artistic traditions influenced their own works. By considering the diversity of authors and characters associated with the genre, this accessible collection provides an overdue examination of the historical, political, and aesthetic contexts out of which the southern detective narrative emerged and continues to evolve.

About the authors:
Deborah E. Barker, professor of English at the University of Mississippi, is the author of Reconstructing Violence: The Southern Rape Complex in Film and Literature and Aesthetics and Gender in American Literature: Portraits of the Woman Artist. She coedited, with Kathryn B. McKee, American Cinema and the Southern Imaginary. Theresa Starkey is associate director of the Sarah Isom Center for Women and Gender Studies at the University of Mississippi. Her scholarship and creative work have appeared in the Oxford American, Mississippi Review, and elsewhere.

See the publisher website: LSU Press

> From the same authors:

Reconstructing Violence:The Southern Rape Complex in Film and Literature

Reconstructing Violence (2015)

The Southern Rape Complex in Film and Literature

by Deborah E. Barker

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