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International Perspectives on Rethinking Evil in Film and Television

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Type
Studies
Sujet
Genre
Mots Clés
violence, ethics, villain, representation
Année d'édition
Editeur
IGI Global
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback272 pages
8 ½ x 11 inches (21.5 x 28 cm)
ISBN
978-1-79986-883-5
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Description de l'ouvrage:
Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society.

International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil’s correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.

Coverage:
The many academic areas covered in this publication include, but are not limited to:

Cinematographic Ethics
Contemporary Hollywood Cinema
Cross-Cultural Perspective on Evil
Gender and Violence
Genre Films
New Television Dichotomy of Good and Evil
Philosophy of Evil
Psychology of Evil
Television and Film
Violence in TV/Cinema

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