MENU   

Queer (Un)Friendly Film and Television

by

Type
Studies
Subject
Keywords
queer, homosexuality, representation
Publishing date
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback221 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-7864-1246-1
978-0-7864-1246-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
In the past, representations of alternative lifestyles on film were, even in their most explicit forms, faint and ambiguous, and the television industry was even more conservative. But in more recent years, thanks in part to the success of such films as Philadelphia, The Birdcage, To Wong Fu and In & Out, and television programs such as Will & Grace, a collective effort is underway to construct a positive new public image for gays and lesbians.

This work studies recent cinematic and television depictions of gays and lesbians. It examines the gay male conversion fantasy in Get Real, Beautiful Thing, I Think I Do, and Billy’s Hollywood Screen Kiss, the metaphor of the aging artist as a teacher to young gay men in Love and Death on Long Island and Gods and Monsters, gay violence in Shakespeare and The Talented Mr. Ripley, unacknowledged homophobia and theories of traditional masculinity in Gladiator, the ethical complexities of the human genome project and genetic screening for the gene associated with homosexuality in Twilight of the Golds, profanity and protest masculinity in The Usual Suspects, the controversy arising when the cast of Will & Grace urged Californians to vote against the Knight Initiative refusing recognition to same-sex marriages, male egotism in Flawless, gay parenting and other family issues in The Birdcage, The Object of My Affection, and The Next Best Thing, and rehabilitating homophobia in American Beauty, Urbania, Oz, Kiss Me Guido, Chuck & Buck, and Billy Elliot.

About the Author:
James R. Keller is a professor and chair of the English and Theatre department at Eastern Kentucky University in Richmond, Kentucky. The author or editor of numerous works about popular culture, he lives in Lexington, Kentucky.

Press Reviews:
"a thought-provoking read…must have…Keller’s tome will be a reference you will want to thumb through the next time you take the DVD off the shelf—or it may compel you to do so"—Scarlett; "Keller ably employs current theories of men’s studies to critique several films, exposing the ongoing myths, typing, and homophobia they reveal in our culture"—Reference & Research Book News.

See the

> From the same author:

V for Vendetta as Cultural Pastiche:A Critical Study of the Graphic Novel and Film

(2008)

A Critical Study of the Graphic Novel and Film

by

Subject: One Film >

Food, Film and Culture:A Genre Study

(2006)

A Genre Study

by

Subject:

Almost Shakespeare:Reinventing His Works for Cinema and Television

(2004)

Reinventing His Works for Cinema and Television

Dir. and

Subject: Technique >

> On a related topic:

Pink 2.0:Encoding Queer Cinema on the Internet

(2016)

Encoding Queer Cinema on the Internet

by

Subject:

Male Bisexuality in Current Cinema:Images of Growth, Rebellion and Survival

(2011)

Images of Growth, Rebellion and Survival

by

Subject:

Screening Queer Memory:LGBTQ Pasts in Contemporary Film and Television

(2022)

LGBTQ Pasts in Contemporary Film and Television

by

Subject:

Nothing Censored, Nothing Gained:Obscenity Law and Histories of Queer Distribution and Exhibition

(2025)

Obscenity Law and Histories of Queer Distribution and Exhibition

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info