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Queer (Un)Friendly Film and Television
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Book Presentation:
In the past, representations of alternative lifestyles on film were, even in their most explicit forms, faint and ambiguous, and the television industry was even more conservative. But in more recent years, thanks in part to the success of such films as Philadelphia, The Birdcage, To Wong Fu and In & Out, and television programs such as Will & Grace, a collective effort is underway to construct a positive new public image for gays and lesbians.
This work studies recent cinematic and television depictions of gays and lesbians. It examines the gay male conversion fantasy in Get Real, Beautiful Thing, I Think I Do, and Billy’s Hollywood Screen Kiss, the metaphor of the aging artist as a teacher to young gay men in Love and Death on Long Island and Gods and Monsters, gay violence in Shakespeare and The Talented Mr. Ripley, unacknowledged homophobia and theories of traditional masculinity in Gladiator, the ethical complexities of the human genome project and genetic screening for the gene associated with homosexuality in Twilight of the Golds, profanity and protest masculinity in The Usual Suspects, the controversy arising when the cast of Will & Grace urged Californians to vote against the Knight Initiative refusing recognition to same-sex marriages, male egotism in Flawless, gay parenting and other family issues in The Birdcage, The Object of My Affection, and The Next Best Thing, and rehabilitating homophobia in American Beauty, Urbania, Oz, Kiss Me Guido, Chuck & Buck, and Billy Elliot.
About the Author:
James R. Keller is a professor and chair of the English and Theatre department at Eastern Kentucky University in Richmond, Kentucky. The author or editor of numerous works about popular culture, he lives in Lexington, Kentucky.
Press Reviews:
"a thought-provoking read…must have…Keller’s tome will be a reference you will want to thumb through the next time you take the DVD off the shelf—or it may compel you to do so"—Scarlett; "Keller ably employs current theories of men’s studies to critique several films, exposing the ongoing myths, typing, and homophobia they reveal in our culture"—Reference & Research Book News.
See the publisher website: McFarland & Co
> From the same author:
V for Vendetta as Cultural Pastiche (2008)
A Critical Study of the Graphic Novel and Film
Subject: One Film > V for Vendetta
Almost Shakespeare (2004)
Reinventing His Works for Cinema and Television
Dir. James R. Keller and Leslie Stratyner
Subject: Technique > Adaptation
> On a related topic:
Trans Representations in Contemporary, Popular Cinema (2022)
The Transgender Tipping Point
by Niall Richardson and Frances Smith
Subject: Sociology
Queer and Femme Gazes in AfroAsian American Visual Culture (2024)
Dir. Rebecca Kumar and Seulghee Lee
Subject: Sociology
The New Queer Gothic (2024)
Reading Queer Girls and Women in Contemporary Fiction and Film
by Robyn Ollett
Subject: Sociology
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