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The Cinema of Preston Sturges

A Critical Study

by Alessandro Pirolini

Type
Studies
Subject
DirectorPreston Sturges
Keywords
Preston Sturges, director
Publishing date
2010
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 212 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-4358-1
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Book Presentation:
Most published works on writer-director Preston Sturges (1898–1959) have focused on the elements that made him a symbol of classic Hollywood comedy or his contributions to the genre via such 1940s classics as The Lady Eve, Sullivan’s Travels and Miracle of Morgan’s Creek. In contrast, this critical study asserts that there are enough unexplained incongruities, fragmentations and contradictions in Sturges’ output to demand a re-evalution of his place in film history as a predecessor (and perhaps progenitor) of later postmodern filmmakers.

Four appendices offer a generous selection of previously unavailable material, including an exclusive interview with the director’s fourth wife Sandy Sturges.

About the Author:
Film scholar and professor Alessandro Pirolini is the author of Rouben Mamoulian (1999) and several essays on American and European directors. He teaches film history and theory at UCLA Extension–Department of Entertainment Studies, at the Osher Institute at UCLA, and at California’s Antelope Valley College.

See the publisher website: McFarland & Co

See the complete filmography of Preston Sturges on the website: IMDB ...

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