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Animation Under the Swastika

A History of Trickfilm in Nazi Germany, 1933–1945

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Type
Studies
Sujet
Genre
Mots Clés
animation, Germany, Nazi ideology
Année d'édition
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback245 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-7864-4640-7
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Description de l'ouvrage:
Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels’ efforts to establish a German cartoon industry to rival Walt Disney’s and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts—advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt’s controversial description of those who perpetrated the Holocaust: the banality of evil.

À propos des auteurs :
Rolf Giesen, a former visiting professor of animation at the Communication University of China and president of an animation museum in Changchun, China, has compiled a special effects collection for Deutsche Kinemathek in Berlin and has co-written several animation features. He is an expert on early fantasy and science fiction films.
J.P. Storm, a collector of animation art and documents, has devoted 25 years of his life to research the history of German cartoons between 1933 and 1945.

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