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The Fantastic in Holocaust Literature and Film

Critical Perspectives

Sous la direction de Judith B. Kerman et John Edgar Browning

Type
Studies
Sujet
GenreFantasy
Mots Clés
fantasy, holocaust
Année d'édition
2014
Editeur
McFarland & Co
Collection
Critical Explorations in Science Fiction and Fantasy
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 244 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-5874-5
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Description de l'ouvrage:
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King’s novella Apt Pupil (1982), Guillermo del Toro’s Pan’s Labyrinth (2006) and Martin Scorsese’s dark thriller Shutter Island (2010).

À propos des auteurs :
Judith B. Kerman, professor emerita of English at Saginaw Valley State University, has ten books or chapbooks of poetry and translations, including a seminal collection of scholarly articles about the film Blade Runner. She is publisher and editor of Mayapple Press in Woodstock, New York.
John Edgar Browning is a Marion L. Brittain Postdoctoral Fellow at Georgia Tech and has over ten published and forthcoming books on Bram Stoker, vampires and horror.

Voir le site internet de l'éditeur McFarland & Co

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