A Fistful of Icons
Essays on Frontier Fixtures of the American Western
Edited by Sue Matheson
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
After a century of reinvention and, frequently, reinterpretation, Western movies continue to contribute to the cultural understanding of the United States. And Western archetypes remain as important emblems of the American experience, relating a complex and coded narrative about heroism and morality, masculinity and femininity, westward expansion and technological progress, and assimilation and settlement. In this collection of new essays, 21 contributors from around the globe examine the “cowboy cool” iconography of film and television Westerns—from bounty hunters in buckskin jackets to denizens of seedy saloons and lonely deserts, from Cecil B. DeMille and John Ford to Steve McQueen and Budd Boetticher, Jr.
About the Author:
Sue Matheson is a professor of English at the University College of the North in Manitoba, Canada. She is the author, editor, or co-editor of more than a dozen scholarly volumes, specializing in American popular culture and film.
See the publisher website: McFarland & Co
> From the same author:
Mel Brooks—Seriously! (2025)
Essays on the Films, Television Shows and Standup
Dir. Sue Matheson
Subject: Director > Mel Brooks
The Good, the Bad and the Ancient (2022)
Essays on the Greco-Roman Influence in Westerns
Dir. Sue Matheson
> On a related topic:
Cowboy Politics (2017)
Myths and Discourses in Popular Westerns from The Virginian to Unforgiven and Deadwood
The Hero's Trail (2022)
Myth and Art in the American Western, 1903–1953
Hollywood's West (2008)
The American Frontier in Film, Television, and History
by Peter C. Rollins and John E. O'Connor
Horse Opera (2002)
The Strange History of the 1930s Singing Cowboy
Unbridling the Western Film Auteur (2017)
Contemporary, Transnational and Intertextual Explorations
Dir. Emma Hamilton and Alistair Rolls
Myth of the Western (2014)
New Perspectives on Hollywood's Frontier Narrative