Images of Dutchness
Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800-1914
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ytypically DutchOE in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
See the publisher website: Amsterdam University Press
> From the same author:
A Million Pictures (2020)
Magic Lantern Slides in the History of Learning
Dir. Sarah Dellmann and Frank Kessler
Subject: Silent Cinema
> On a related topic:
Images of Occupation in Dutch Film (2017)
Memory, Myth, and the Cultural Legacy of War
by Wendy Burke
Subject: Countries > The Netherlands
Humour and Irony in Dutch Post-War Fiction Film (2016)
Subject: Countries > The Netherlands
Early Cinema and the National (2008)
Dir. Richard Abel, Giorgio Bertellini and Rob King
Subject: Silent Cinema
Our Country/Whose Country? (2024)
Early Westerns and Travel Films as Stories of Settler Colonialism
by Richard Abel
Subject: Countries > United States
Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
Subject: Countries > Russia / USSR