MENU   

What Ought to Scare You

Affect and Hollywood Horror Discourses, 1922–1968

de

Type
Studies
Sujet
Genre
Mots Clés
horror, fears, analysis
Année d'édition
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback273 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-1-4766-8979-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Using the Hollywood studio system (1931–1960) as a historical center, this book performs close readings of classic horror films (such as Frankenstein and Cat People) while asking the following three questions: What about this movie is weird? What does this movie think ought to scare you? If there weren’t monsters in this movie, what would be wrong with these people’s lives? These questions guide readers toward the uniqueness of horror films in relation to the way they are classified and the feeling of “horror” that they offer. The horror genre is a collection of culturally-shared elements—words, images, or themes used to signify or evoke horror, because they have been used that way before.

Instead of treating movies as examples of the horror genre through how they evoke feelings from viewers, this book locates the meaning of horror within individual films and shows how movies make their own genealogies and complicate their own scares in an evolution of the genre. It argues that classic horror movies are forms of reception of—and resistance to—the ideas of horror that were current in their historical period. Working historically, the author traces movies’ interactions with their precursors and co-conspirators to show how they are the agents of historical changes in the genre and in what we take to be horror.

À propos de l'auteur :
H. Marshall Leicester is a professor emeritus of literature at the University of California, Santa Cruz. He is the author of articles on medieval literature, opera, and film.

Voir le

> Sur un thème proche :

The Book of Horror:The Anatomy of Fear in Film

(2025)

The Anatomy of Fear in Film

de

Sujet : Genre >

Horror and Science Fiction Cinema and Society:American Culture and Politics in the Cold War and After Through the Projector Lens

(2024)

American Culture and Politics in the Cold War and After Through the Projector Lens

de

Sujet : Genre >

Body Genre:Anatomy of the Horror Film

(2023)

Anatomy of the Horror Film

de

Sujet : Genre >

Monstrous Things:Essays on Ghosts, Vampires, and Things That Go Bump in the Night

(2022)

Essays on Ghosts, Vampires, and Things That Go Bump in the Night

Dir.

Sujet : Genre >

Make America Hate Again:Trump-Era Horror and the Politics of Fear

(2021)

Trump-Era Horror and the Politics of Fear

Dir.

Sujet : Genre >

Primal Roots of Horror Cinema:Evolutionary Psychology and Narratives of Fear

(2019)

Evolutionary Psychology and Narratives of Fear

de

Sujet : Genre >

Sleeping With the Lights On:The Unsettling Story of Horror

(2018)

The Unsettling Story of Horror

de

Sujet : Genre >

Found Footage Horror Films:Fear and the Appearance of Reality

(2014)

Fear and the Appearance of Reality

de

Sujet : Genre >

Cinematic Emotion in Horror Films and Thrillers:The Aesthetic Paradox of Pleasurable Fear

(2012)

The Aesthetic Paradox of Pleasurable Fear

de

Sujet : Genre >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info