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Alfred Hitchcock's Silent Films

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Type
Studies
Sujet
Director
Mots Clés
Alfred Hitchcock, silent cinema, Great Britain
Année d'édition
Editeur
McFarland & Co
Collection
Silent Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback223 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-7864-1901-6
978-0-7864-1901-2
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Description de l'ouvrage:
Alfred Hitchcock called the silent “the purest form of cinema,” and the ten silent films he directed between 1925 and 1929 reveal the young director’s mature artistry. Hitchcock’s silents have often been characterized as the work of a talented amateur, a young director practicing his craft during a pre-sound era of antiquated instruments and poor film techniques—the director experimented with myriad points of view, unique camera angles and movements, and special effects such as dissolves, blurriness, and violent cuts. These films, however, contain the first appearances of some of his greatest and most familiar techniques: the vertigo-inducing crowd scene, the symbolic use of inanimate objects, the manipulation of the audience’s emotions, and the self-conscious, often macabre wit.

This work discovers Hitchcock’s early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations. Each film’s chapter includes technical information, a summary of the critical response from the film’s release to the present, and detailed analysis of the camera techniques and themes Hitchcock uses.

À propos de l'auteur :
Marc Raymond Strauss is a professor emeritus of theater and dance from Southeast Missouri State University.

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