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Luchino Visconti

by Geoffrey Nowell-Smith

Type
Biographies
Subject
DirectorLuchino Visconti
Keywords
Luchino Visconti
Publishing date
2003
Publisher
BFI Publishing
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 250 pages
5 ¾ x 8 ¾ inches (14.5 x 22 cm)
ISBN-10
ISBN-13
0-85170-961-3
978-0-85170-961-1
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Book Presentation:
Luchino Visconti's career as a film-maker began in the 1930s when he escaped the culture of fascist Italy to work with Jean Renoir in the France of the Popular Front. This is a study of this director.

Aristocrat and Marxist, master equally of harsh realism and sublime melodrama, Luchino Visconti (1906-76) was without question one of the greatest European film directors.

His career as a filmmaker began in the 1930s when he escaped the stifling culture of Fascist Italy to work with Jean Renoir in the France of the Popular Front. Back in his native country in the 40s, he was one of the founders of the neorealist movement. In 1954, with Senso, he turned his hand to a historical spectacular. The result was both glorious to look at and a profound reinterpretation of history.

In Rocco and His Brothers (1960) he returned to his neorealist roots and in The Leopard (1963), with Burt Lancaster, Claudia Cardinale and Alain Delon, he made the first truly international film. He scored a further success with Death in Venice (1971), a sensitive adaptation of Thomas Mann's story about a writer (in the film, a musician) whose world is devastated when he falls in love with a young boy. A similar homoerotic theme haunts Ludwig (1973), a biopic about the King of Bavaria who prefers art to politics and the company of stable boys to the princess he is supposed to marry.

Geoffrey Nowell-Smith's classic study of the director was first published in 1967 and revised in 1973. It is now updated to include the last three films that Visconti made before his death, together with some reflections on the 'auteur' theory of which the original edition was a key example.

About the Author:
Geoffrey Nowell-Smith is Professor of Cinema Cultures at the University of Luton. His recent publications include a study of Antonioni's L'avventura for the BFI Film Classics series.

See the publisher website: BFI Publishing

See the complete filmography of Luchino Visconti on the website: IMDB ...

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