MENU   

Fast-Talking Dames

by

Type
Studies
Subject
Genre
Keywords
comedy, women, screwball
Publishing date
Publisher
Yale University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback384 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-300-09903-7
978-0-300-09903-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
“There is nothing like a dame,” proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and ’40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame--a woman of lively wit and brash speech—epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words—and with men.

With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes.
In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.

See the

> On a related topic:

Hysterical!:Women in American Comedy

(2017)

Women in American Comedy

Dir. and

Subject: Genre >

Hollywood Screwball Comedy 1934-1945:Sex, Love, and Democratic Ideals

(2023)

Sex, Love, and Democratic Ideals

by

Subject: Genre >

The Art of the Screwball Comedy:Madcap Entertainment from the 1930s to Today

(2013)

Madcap Entertainment from the 1930s to Today

by

Subject: Genre >

The Runaway Bride:Hollywood Romantic Comedy of the 1930's

(2002)

Hollywood Romantic Comedy of the 1930's

by

Subject: Genre >

The Screwball Comedy Films:A History and Filmography, 1934-1942

(2001)

A History and Filmography, 1934-1942

by and

Subject: Genre >

Romantic Comedy in Hollywood: From Lubitsch to Sturges

(1998)

From Lubitsch to Sturges

by

Subject: Genre >

Pursuits of Happiness:The Hollywood Comedy of Remarriage

(1981)

The Hollywood Comedy of Remarriage

by

Subject: Genre >

Screwball Comedy and Film Noir:Unexpected Connections

(2012)

Unexpected Connections

by

Subject: Genre >

I Do and I Don't:A History of Marriage in the Movies

(2014)

A History of Marriage in the Movies

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info