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Star Bodies and the Erotics of Suffering
Edited by Rebecca Bell-Metereau and Colleen Glenn
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Book Presentation:
Examines how psychological and physical suffering, as portrayed on screen and experienced in personal lives, has affected the images, performances, and fortunes of stars from the 1940s to the present.
Suffering in cinema can be crucial to how stars are cast in roles and perceived by audiences, whether it is performed on the screen or weathered in the form of scandal, heartbreak, disfiguration, or aging in an actor’s real life. In Star Bodies and the Erotics of Suffering, editors Rebecca Bell-Metereau and Colleen Glenn assemble thirteen scholars to consider fourteen stars whose careers have been defined by suffering on- or off-screen. Together, these essays question assumptions that an actor’s ability to project an enduring image—both symbolic and physical—is necessary for box-office success, demonstrating instead that disruptions often shape and direct the star image.
Contributors in this collection examine a wide range of stars from the last seventy years. Some essays deal with actors who have transformed temporarily for a role, or permanently, through aging or accident, such as Joaquin Phoenix, Daniel Day-Lewis, Mickey Rourke, Charlize Theron, and Hilary Swank. Other essays consider stars’ attempts to conceal aspects of themselves from the public in order to maintain a palatable public image, including Rita Hayworth, Rock Hudson, and Michael Jackson. Some explore typecasting and audience expectations, noting how struggles with marriage, divorce, and aging intersect in the images of Natalie Wood, Marilyn Monroe, and Harrison Ford. A final set considers Sissy Spacek, Julia Roberts, and Halle Berry as women who reconfigure negative press and restrictive gender and racial expectations to their advantage, managing public perceptions of suffering in ways that flummox their critics.
Star Bodies and the Erotics of Suffering offers film buffs, students, and scholars a fresh take on casting, method acting, audience reception, and the tensions at play in our fascination with an actor’s dual role as private individual and cultural icon.
About the authors:
Rebecca Bell-Metereau is professor and director of media studies in the English department at Texas State University. She is author of Hollywood Androgyny and Simone Weil on Politics, Religion and Society, along with numerous articles and chapters on gender, acting, stardom and society. Colleen Glenn is assistant professor of film studies at the College of Charleston. She researches movie stars, masculinity, and film history and has authored "The Traumatized Veteran: A New Look at Jimmy Stewart's Vertigo" (Quarterly Review of Film and Video) and "Which Woody Allen?" in A Companion to Woody Allen.
Press Reviews:
An electric enthusiasm runs through these essays on cinematic celebrity seen from the other side of the rainbow. Here are compelling and beautifully written analyses of the figures we have come to know through their glorious misfortunes—a wholly new view of stardom's perch upon disruption, agony, subversion, and the loss of youth. A must-read for anyone concerned with the deeper workings of Hollywood.
-Murray Pomerance, Author of the Eyes Have It: Cinema and the Reality Effect
In this illuminating and challenging collection of essays, Rebecca Bell-Metereau and Colleen Glenn have created a one-stop source on the politics of star 'martyrdom' and public representation, covering Mickey Rourke, Michael Jackson, Charlize Theron, Daniel Day-Lewis, and numerous other iconic figures in crisis, examining how these stars negotiate their public presence through corporeal transitions. This is an utterly unique, absolutely original book, brimming with new insights, and new ways of looking at stars and stardom—a real contribution to the ever expanding field of star studies.
-Wheeler Winston Dixon, Author of Streaming: Movies, Media and Instant Access
This is an intriguing and original series of commentaries on the bodies of movie stars—their transformations, their signs of age, their sufferings both privately and publicly. It also has many interesting things to say about the paradoxical relationship between on-screen and (ostensibly) off-screen bodies.
-James Naremore, Author of an Invention Without a Future: Essays on Cinema
See the publisher website: Wayne State University Press
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