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Brechtian Cinemas

Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier

by Nenad Jovanovic

Type
Studies
Subject
Others personsBertolt Brecht
Keywords
Bertolt Brecht, theater
Publishing date
2018
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
1st publishing
2017
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 276 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-4384-6364-3
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Book Presentation:
Explores the influence of Bertolt Brecht’s ideas on the practice and study of cinema.

In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage—a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films—has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema.

About the Author:
Nenad Jovanovic is Assistant Professor of Media Studies at Wright State University.

Press Reviews:
"This book opens up one of the most vaguely and often ill employed terms within film theory for extremely detailed discussion, providing the most thorough analysis of Brechtianism available to film scholars. It will become a standard reference. " — R. Barton Palmer, coeditor of Invented Lives, Imagined Communities: The Biopic and American National Identity

See the publisher website: State University of New York Press

See the complete filmography of Bertolt Brecht on the website: IMDB ...

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