MENU   

The Radio Eye

Cinema in the North Atlantic, 1958-1988

de

Type
Studies
Sujet
Mots Clés
ethnology, sociology, Canada
Année d'édition
Editeur
Wilfrid Laurier University Press
Collection
Film and Media Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 285 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-1-55458-614-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
The Radio Eye: Cinema in the North Atlantic, 1958-1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for "smaller languages."

The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958-1988 were very aware of each other's cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades.

The book is bound together by White's belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of "the Radio Eye." White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio Garc a Espinosa and his notion of "imperfect cinema," J rgen Habermas and his notions of the "public sphere," and dourard Glissant's ideas about "cr olit " as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

Voir le

> Du même auteur :

Two Bicycles:The Work of Jean-Luc Godard and Anne-Marie Miéville

(2013)

The Work of Jean-Luc Godard and Anne-Marie Miéville

de

Sujet : Director > ,

Revisioning Europe:The Films of John Berger and Alain Tanner

(2012)

The Films of John Berger and Alain Tanner

de

Sujet : Director >

Of This Place and Elsewhere:The Films and Photography of Peter Mettler

(2006)

The Films and Photography of Peter Mettler

de

Sujet : Others persons >

> Sur un thème proche :

Mediating Mobility:Visual Anthropology in the Age of Migration

(2016)

Visual Anthropology in the Age of Migration

de

Sujet :

Observational Cinema:Anthropology, Film, and the Exploration of Social Life

(2009)

Anthropology, Film, and the Exploration of Social Life

de et

Sujet :

Picturing Culture:Explorations of Film and Anthropology

(2000)

Explorations of Film and Anthropology

de

Sujet :

Hinterland Remixed:Media, Memory, and the Canadian 1970s

(2019)

Media, Memory, and the Canadian 1970s

de

Sujet :

Unsettling Sights:The Fourth World on Film

(2010)

The Fourth World on Film

de

Sujet :

Wondrous Difference:Cinema, Anthropology, and Turn-of-the-Century Visual Culture

(2002)

Cinema, Anthropology, and Turn-of-the-Century Visual Culture

de

Sujet :

The Third Eye:Race, Cinema, and Ethnographic Spectacle

(1996)

Race, Cinema, and Ethnographic Spectacle

de

Sujet :

17412 livres recensés   •   (c)2024-2026 cinemabooks.info   •     •   Politique de confidentialité
Les livres en français sont sur www.livres-cinema.info