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Studying German Cinema
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Description de l'ouvrage:
Adopting a textual, chronological approach, Studying German Cinema is for students of German and film studies and the general reader with an interest in German cinema. Each of the fourteen chapters focuses on one key film, from the groundbreaking horror Nosferatu (1922) to the Oscar-winning The Lives of Others (2007), and explores industrial practices both in West and East Germany; aesthetic approaches; auteurist traditions (including films by Fassbinder, Wenders, and Herzog); and ideology. Each film is embedded in its cultural and political context, and together they provide an overview of German history from the end of World War I to the present.
À propos de l'auteur :
Maggie Hoffgen is an educator in German language and culture with an MA in film studies. She divides her time between supervising Goethe-Institut courses at Manchester University's Language Centre and working as a freelance film lecturer.
Voir le site internet de l'éditeur Liverpool University Press
> Sur un thème proche :
Charting Asian German Film History (2025)
Imagination, Collaboration, and Diasporic Representation
Dir. Qinna Qinna Shen, Zach Ramon Fitzpatrick et Qingyang Freya Zhou
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel et Jaimey Fisher
Transnational German Film at the End of Neoliberalism (2024)
Radical Aesthetics, Radical Politics
Dir. Claudia Breger et Olivia Landry
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
Film Societies in Germany and Austria 1910-1933 (2023)
Tracing the Social Life of Cinema
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