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The Blood on Satan's Claw

by

Type
Studies
Subject
One Film
Keywords
Piers Haggard, horror
Publishing date
Publisher
Liverpool University Press
Collection
Devil's Advocates
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback120 pages
5 ½ x 7 ½ inches (14 x 19 cm)
ISBN
978-1-80034-806-6
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Book Presentation:
Widely regarded as one of the foundational 'Unholy Trinity' of folk horror film, The Blood on Satan's Claw (1971) has been comparatively over-shadowed, if not maligned, when compared to Witchfinder General (1968) and The Wicker Man (1973). While those horror bedfellows are now accepted as classics of British cinema, Piers Haggard's film remains undervalued, ironically so, given that it was Haggard who coined the term 'folk horror' in relation to his film. In this Devil's Advocate, David Evans-Powell explores the place of the film in the wider context of the folk horror sub-genre; its use of a seventeenth-century setting (which it shares with contemporaries such as Witchfinder General and Cry of the Banshee) in contrast to the generic nineteenth-century locales of Hammer; the influences of contemporary counter-culture and youth movement on the film; the importance of localism and landscape; and the film as an expression of a wider contemporary crisis in English identity (which can also be perceived in Witchfinder General, and in contemporary TV serials such as Penda's Fen).

About the Author:
David Evans-Powell has a BA in History with Ancient History and Archaeology from the University of Birmingham, where he is also currently studying for a PhD in Film. His thesis is folk horror in British cinema and television.

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