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Cahiers du Cinema

Interviews with film directors 1953-1970

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Type
Interviews
Subject
Keywords
director, interviews, Cahiers du cinéma, magazine, France
Publishing date
Publisher
Liverpool University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback272 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-78976-201-3
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Book Presentation:
Cahiers du Cinema: Interviews with Film Directors, 19531970 brings together eighteen directors : Otto Preminger, Roberto Rossellini, John Ford, Howard Hawks, Max Ophuls, Nicholas Ray, Orson Welles, Fritz Lang, Alain Resnais, Jean-Luc Godard, Francois Truffaut, Michelangelo Antonioni, Carl-Theodor Dreyer, Federico Fellini, Robert Bresson, Joseph L. Mankiewicz, Jean Renoir, and Eric Rohmer -- who are among the leading auteurs in the history of the cinema. The interviews were all commissioned for the legendary movie journal Cahiers du Cinema (the oldest such French-language magazine in continuous publication), the first critical enterprise to treat films, particularly Hollywood films, as a serious art form. Co-founded in 1951 by Andre Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca, Cahiers was edited, after 1957, by Rohmer himself, including among its writers (and interviewers) Jacques Rivette, Godard, Claude Chabrol, and Truffaut -- all of whom went on to become highly influential filmmakers. Conducted in Cahiers famously in-depth, critical and engaged style, the interviews in this volume catch each director at a crucial juncture in his development as an artist, and stand as a historical record of the dominance of the Euro-American tradition in cinematic art. This is the first such collection of its kind in English, edited with a contextualizing introduction, critical biographies, career filmographies, and a comprehensive index by the American scholar James R. Russo.

About the Author:
James R. Russo is an independent researcher who holds graduate degrees from Louisiana State University and the University of Richmond. He has taught at those schools as well as Tulane. Russos primary scholarly interests are the cinema and comparative literature. He has recently published The Bookman: William Troy on Literature and Criticism, 1927-1950; Film Nation: William Troy on the Cinema, 1933-1935; and Analyzing Drama: A Student Casebook.

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