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Pictures of Poverty

The Works of George R. Sims and Their Screen Adaptations

by Lydia Jakobs

Type
Studies
Subject
Sociology
Keywords
social aspects, Great Britain, adaptation
Publishing date
2021
Publisher
John Libbey Publishing
Collection
Kintop Studies in Early Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 276 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-0-86196-752-0
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Book Presentation:
From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.

About the Author:
Lydia Jakobs holds a PhD from the University of Trier, Germany, and a Certificate in International Journalism from Hamline University, St. Paul, USA. She was a member of the Screen1900 research focus at the University of Trier, where she also earned master's degrees in Media Studies, English and Spanish Literature and a Certificate in Gender Studies. She is the editor of the KINtop newsletter for early cinema and currently serves as Research Officer for the Magic Lantern Society of the UK.

See the publisher website: John Libbey Publishing

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