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Im/possible films
de Mark Lewis
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| 0 | vote |  = Unique / une référence |
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Description de l'ouvrage:
Mark Lewis works at the boundaries of the white cube and the black box, exploring the limits and the potentialities of cinema. He investigates, for example, standardized film conventions such as credits, end sequences and scenes between actions, as well as elementary film devices, including camera movements, zooms or pans. Starting with a deconstructionist perspective, Mark Lewis had developed his own formal language, reminiscent of early cinema in a post-conceptual age.
This volume includes a portfolio by Mark Lewis, an interview with the artist, and a series of essays which draw on tools forged in the fields of art history, philosophy and film studies. The publication gives access, on the internet, to a selection of films of Mark Lewis, representative of his wide-ranging formal and conceptual approach, from his first, « impossible », films to his later, « possible » works.
DVD inclus.
Voir le site internet de l'éditeur Métispresses
> Du même auteur :
> Sur un thème proche :
After Uniqueness (2017)
A History of Film and Video Art in Circulation
de Erika Balsom
Sujet : Genre > Experimental
Shoot Shoot Shoot (2016)
The First Decade of the London Film-Makers' Co-Operative 1966-76
Dir. Mark Webber
Sujet : Genre > Experimental
Recycled Culture in Contemporary Art and Film (2003)
The Uses of Nostalgia
de Vera Dika
Sujet : Genre > Experimental
Moments of Perception (2021)
Experimental Film in Canada
Dir. Jim Shedden et Barbara Sternberg
Sujet : Genre > Experimental
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