Knock Me Up, Knock Me Down
Images of Pregnancy in Hollywood Films
de Kelly Oliver
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
No longer is pregnancy a repulsive or shameful condition in Hollywood films, but an attractive attribute, often enhancing the romantic or comedic storyline of a female character. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Not all representations signify progress. Oliver finds that in many pregnancy films, our anxieties over modern reproductive practices and technologies are made manifest, and in some cases perpetuate conventions curtailing women's freedom. Reading such films as Where the Heart Is (2000), Riding in Cars with Boys (2001), Palindromes (2004), Saved! (2004), Quinceañera (2006), Children of Men (2006), Knocked Up (2007), Juno (2007), Baby Mama (2008), Away We Go (2009), Precious (2009), The Back-up Plan (2010), Due Date (2010), and Twilight: Breaking Dawn (2011), Oliver investigates pregnancy as a vehicle for romance, a political issue of "choice," a representation of the hosting of "others," a prism for fears of miscegenation, and a screen for modern technological anxieties.
À propos de l'auteur :
Kelly Oliver is W. Alton Jones Professor of Philosophy at Vanderbilt University and the author of Animal Lessons: How They Teach Us To Be Human; Women as Weapons of War: Iraq, Sex and the Media; The Colonization of Psychic Space: Toward a Psychoanalytic Social Theory; Noir Anxiety: Race, Sex, and Maternity in Film Noir; Witnessing: Beyond Recognition; Subjectivity Without Subjects: From Abject Fathers to Desiring Mothers; Family Values: Subjects Between Nature and Culture; Womanizing Nietzsche: Philosophy's Relation to "the Feminine;" and Reading Kristeva: Unraveling the Double-Bind.
Revue de Presse:
A wonderful, insightful, riveting, and entertaining romp. Kalpana Rahita Seshadri, Boston College
Clearly written...this book could serve...as a core text in a course on women in film. Choice
Oliver's convincing conclusion is that in Hollywood films pregnant women may have become objects of desire, but they are not allowed to become desiring subjects... Fran Bigman, Times Literary Supplement
Voir le site internet de l'éditeur Columbia University Press
> Du même auteur :
Hunting Girls (2016)
Sexual Violence from The Hunger Games to Campus Rape
de Kelly Oliver
Sujet : Sociology
> Sur un thème proche :
Liberating Hollywood (2018)
Women Directors and the Feminist Reform of 1970s American Cinema
Sujet : Countries > United States
Polyamory, Monogamy, and American Dreams (2019)
The Stories We Tell about Poly Lives and the Cultural Production of Inequality
Sujet : Sociology
Bitter Tastes (2018)
Literary Naturalism and Early Cinema in American Women's Writing
Sujet : Silent Cinema
Retour
