Animation
Genre and Authorship
by Paul Wells
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.
About the Author:
Paul Wells is head of the media portfolio at the University of Teesside, UK, with special interests in animation and broadcasting.
See the publisher website: Wallflower Press
> Books with the same or similar title:
> From the same author:
American Film and Politics from Reagan to Bush Jr (2002)
Dir. Philip Davies and Paul Wells
Subject: Countries > United States
> On a related topic:
The Anime Archives (2025)
A retrospective of anime films and TV shows from indie journal publisher Lost in Cult
Collective
The Animation Atlas (2025)
The Ghibliotheque Guide to the World of Animated Film
by Jake Cunningham and Michael Leader
Rediscovered Classics of Japanese Animation (2025)
The Adaptation of Children's Novels into the World Masterpiece Theater Series