MENU   

Documentary Display

Re-Viewing Nonfiction Film and Video

by

Type
Studies
Subject
Genre
Keywords
documentary, sciences
Publishing date
Publisher
Wallflower Press
Collection
Nonfictions
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover224 pages
6 ½ x 9 inches (16.5 x 23 cm)
ISBN
978-1-905674-73-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of "documentary display"—a practice which emphasizes the visual attractions of documentary representation. Works of documentary display explore modes of exhibitionistic "showing" in which sensation is frequently the vehicle of cognition and knowledge. Such a display is analyzed within the popular and prominent forms of found-footage film, "rockumentary", the city film, nonfiction surf film and video and certain views of natural science topics. This accessible and informed study, with its focus on entertaining, popular, spectacular and sensational forms of representation, makes an important contribution to theoretical analyses of documentary film and video.

About the Author:
Keith Beattie is a member of the Faculty of Arts of Deakin University, Melbourne.

Press Reviews:
Documentary has too often been regarded as the sober reverse-side of fiction in cinema: grey, instructional, wedded to ponderous, old-fashioned notions of realism. Keith Beattie's exciting Documentary Display throws the question of documentary open—both in its production and its reception—and, at the same time, re-opens our eyes to its very diverse, frequently spectacular history... This book re-defines a cinematic genre, and in the process challenges us to embrace the sensual, poetic and thoroughly entertaining aspects of non-fiction film. Adrian Martin, Senior Research Fellow, Monash University, Melbourne

See the

> From the same author:

> On a related topic:

Films of Fact:A History of Science in Documentary Films and Television

(2008)

A History of Science in Documentary Films and Television

by

Subject: Genre >

Science Is Fiction:The Films of Jean Painlevé

(1999)

The Films of Jean Painlevé

Dir. and

Subject: Director >

Antifascism and the Avant-Garde:Radical Documentary in the 1960s

(2025)

Radical Documentary in the 1960s

by

Subject: Genre >

The Interactive Documentary Form:Aesthetics, Practice and Research

(2025)

Aesthetics, Practice and Research

by

Subject: Genre >

Nomadic Cinema:A Cultural Geography of the Expedition Film

(2025)

A Cultural Geography of the Expedition Film

by

Subject: Genre >

Between Reality and Documentary:A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film

(2025)

A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film

by

Subject: Genre >

16099 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info