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Film Programming

Curating for Cinemas, Festivals, Archives

de

Type
Studies
Sujet
Mots Clés
exhibition, festival
Année d'édition
Editeur
Wallflower Press
Collection
Short Cuts
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback152 pages
5 ½ x 8 inches (14 x 20 cm)
ISBN
978-0-231-17459-6
Appréciation
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Description de l'ouvrage:
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

À propos de l'auteur :
Peter Bosma is an independent programmer, researcher, and lecturer in film studies based in the Netherlands.

Revue de Presse:
The inexperienced film programmer's guidebook as well as the burgeoning film scholar's foundational text on the subject. Cineaste

An ambitious primer.... Film Programming: Curating for Cinemas, Festivals, Archives is a valuable asset. Marisa C. Hayes, Historical Journal of Film, Radio, and Television

The book is well-written. Magia Rantinovits, MEDIENwissenschaft: Studentische Sonderpublikation

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