MENU   

For His Eyes Only

The Women of James Bond

Edited by

Type
Studies
Subject
One Film
Keywords
James Bond, women, representation, attraction
Publishing date
Publisher
Wallflower Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover384 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-0-231-17614-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women.

Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films.

This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.

About the Author:
Lisa Funnell is assistant professor in the Women's and Gender Studies Program at the University of Oklahoma. She is the author of Warrior Women: Gender, Race, and the Transnational Chinese Action Star and has published extensively on gender in the James Bond franchise.

Press Reviews:
At long last, a book about the women of Bond that not only fills a gap in Bond scholarship but also contributes to a wider understanding of the representation of women, and the relationship between gender politics and the media. This is an eye-opening collection for anyone who wants to see beyond the iconic images from past and present to consider that the world of Bond is nothing without women, and that understanding the representation of women in the franchise is a complex process. Claire Hines, Southampton Solent University

This comprehensive and impressive collection of essays is essential for those working within the burgeoning area of 'Bond studies'. It covers a broad spectrum of topics, from the colonisation of the black and Asian female agent's body to the franchise's troubled negotiation of patriarchy and feminism, and from the articulation of female desire to the problem of female authority in the Bond fantasy. The book is absolutely up to date, with a whole section devoted to Skyfall and to Judi Dench's legacy as M. Containing contributions from established and emerging scholars, its combination of breadth and depth makes it both a pleasure to read and an important addition to the literature on the subject. Estella Tincknell, University of the West of England

This extensive yet accessible collection forms a vital and timely addition to the existing academic literature on the Bond franchise. Drawing together international and interdisciplinary perspectives, the book offers diverse critical approaches to the close analysis of gender, sexuality, ethnicity, age, national identity and power in the films. It is essential reading for students and scholars alike. Sarah Gilligan, Hartlepool College

An illuminating and provocative new contribution to 'Bondology.' Journal of British Cinema and Television

See the

> From the same author:

Global James Bond:(Re)Imagining and Transplanting a Popular Culture Icon

(2023)

(Re)Imagining and Transplanting a Popular Culture Icon

Dir. and

Subject: One Film >

Resisting James Bond:Power and Privilege in the Daniel Craig Era

(2023)

Power and Privilege in the Daniel Craig Era

Dir. and

Subject: One Film >

Screening #MeToo:Rape Culture in Hollywood

(2022)

Rape Culture in Hollywood

Dir. and

Subject:

American and Chinese-Language Cinemas:Examining Cultural Flows

(2017)

Examining Cultural Flows

Dir. and

Subject: Countries >

Warrior Women:Gender, Race, and the Transnational Chinese Action Star

(2015)

Gender, Race, and the Transnational Chinese Action Star

by

Subject: Countries >

> On a related topic:

International Cinema and the Girl:Local Issues, Transnational Contexts

(2015)

Local Issues, Transnational Contexts

Dir. and

Subject:

The James Bond Archives:The Complete Films

(2026)

The Complete Films

by

Subject: One Film >

Darker than the Sun:An Atlas of James Bond Movie Locations

(2025)

An Atlas of James Bond Movie Locations

by and

Subject: One Film >

James Bond Will Return:Critical Perspectives on the 007 Film Franchise

(2024)

Critical Perspectives on the 007 Film Franchise

Dir. , and

Subject: One Film >

Licence to Thrill:A Cultural History of the James Bond Films

(2024)

A Cultural History of the James Bond Films

by

Subject: One Film >

The Bondian Cold War:The Transnational Legacy of a Cultural Icon

(2024)

The Transnational Legacy of a Cultural Icon

Dir. , and

Subject: One Film >

Love and Let Die:Bond, the Beatles and the British Psyche

(2023)

Bond, the Beatles and the British Psyche

by

Subject: One Film >

16099 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info