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Masculine Interests

Homoerotics in Hollywood Film

de

Type
Studies
Sujet
Mots Clés
homosexuality, sociology
Année d'édition
Editeur
Columbia University Press
Collection
Film and Culture
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover384 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-231-11300-5
978-0-231-11300-7
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Description de l'ouvrage:
Until Masculine Interests not much had been written about men "as men" in the cinema. Now Robert Lang considers how Hollywood articulates the eroticism that is intrinsic to identification between men. He considers masculinity in social and psychoanalytic terms, maintaining that a major function of the movies is to define different types of masculinity, and to either valorize or criticize these forms. Focusing on several films—primarily The Lion King, The Most Dangerous Game, The Outlaw, Kiss Me Deadly, Midnight Cowboy, Innerspace, My Own Private Idaho, the Batman series, and Jerry Maguire—Lang questions the way in which American culture distinguishes between homosexual and nonhomosexual forms of male bonding. In arguing for a much more complex recognition of the homosocial continuum, he contends that queer sexuality is far more present in American cinema than is usually acknowledged.

À propos de l'auteur :
Robert Lang is associate professor of cinema at the University of Hartford. He is the author of American Film Melodrama: Griffith, Vidor, Minnelli, and editor of The Birth of a Nation. He is currently a Fulbright scholar at the University of Tunis.

Revue de Presse:
Articulates the big screen's dedication to eroticism between men, especially in movies that now belong to the film canon. Gay & Lesbian Review

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