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British Music Videos 1966 - 2016

Genre, Authenticity and Art

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Type
Studies
Sujet
Mots Clés
video, music, Great Britain
Année d'édition
Editeur
Edinburgh University Press
Collection
Music and the Moving Image
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover232 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-4744-3532-1
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Description de l'ouvrage:
A historical and theoretical study of British music video culture and industry from 1966 to 2016
• Sets out a new theoretical framework for music video analysis
• Locates music video within the larger historical context of the entertainment industries
• Considers evidence from detailed case study analyses of one hundred landmark videos
• Watch the launch event

Using fresh archival evidence and interviews, and setting out an original theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966 to 2016. She identifies not only their distinctive British traits but their parallels with British film genres and styles. By analysing the genre, craft and authorial voice of music video within the context of film and popular music, this book sheds new light on existing theoretical and historical questions about audiences, authorship, art and the creative industries. It reveals that, far from being an American cultural form, music video has its roots in British and European film traditions, and reveals significant ways in which British video has impacted popular film and music culture.

À propos de l'auteur :
Dr Emily Caston is Senior Lecturer in Film and Television at London College of Communication, University of the Arts, London, and a company director for Film London.

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