Pontius Pilate on Screen

Sinner, Soldier, Superstar

Add to my list

by Christopher M. McDonough

Type

Studies

Subject

Genre > Historical films

Keywords

historical films, characters

Publishing date

2022

Publisher

Edinburgh University Press

Collection

Screening Antiquity

Language

English

Relative size

Physical desc.

Hardcover • 296 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-1-4744-4688-4

User Ratings

(0 vote)

X

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Book Presentation:
Pontius Pilate in film from the silent era to the twenty-first century
• Offers an extended discussion of the history and tradition of Pontius Pilate
• Looks at topics connected to Pontius Pilate’s reception, including the sound of his voice, his use of his hands, his wife Claudia Procula, and his Roman soldiers
• Who is Pontius Pilate? Who do the movies say that he is? What is truth?

Pontius Pilate On Screen deals with one of history’s most controversial characters. From Monty Python’s Life of Brian to Mel Gibson’s Passion of the Christ, Pontius Pilate is a figure of evidently endless fascination to filmmakers. The Roman prefect is depicted at times as the hapless victim of machinations beyond his control and at other times as the heartless villain of the piece. If in films about the Passion Jesus represents eternal truth, Pilate symbolises the values of the present – whether it is the lingering trauma of the Holocaust, the ongoing struggle over Civil Rights or the polarised politics of the current day – as filmmakers endeavour again and again to portray in Pontius Pilate a compelling counter-figure to Jesus himself.

This book considers portrayals of Pontius Pilate in film from the silent era to the twenty-first century. It discusses over 25 films in detail, including Cecil B. DeMille’s King of Kings (1927), Norman Jewison’s Jesus Christ Superstar (1973), Martin Scorsese’s Last Temptation of Christ (1988), Mel Gibson’s The Passion of the Christ (2004) and Sony’s Risen (2016). Based on extensive archival research and original interviews with actors, screenwriters and producers, it offers an extended discussion of the history, tradition and reception of Pontius Pilate.

About the Author:
Christopher McDonough is Professor of Classics at the University of the South, Sewanee, Tennessee. He is the author of Servius’ Commentary on Aeneid Book Four: An Annotated Translation (Bolchazy-Carducci, 2004). He is the author of many articles on a range of topics including Ovid, Latin language and literature, mythology, literature in translation and Classics in cinema.

Press Reviews:
Certainly the only ancient Roman prefect remembered throughout Western history, Pontius Pilate, the Christmastide/Eastertide "truth" seeker often quoted, maligned, and even "widiculed," fittingly warrants this extremely engaging survey of his notable cinematic representations by Basil Rathbone, Frank Thring, Jean Marais, Rod Steiger, Telly Savalas, Michael Palin, and many, many others.
– Jon Solomon, University of Illinois

For anybody interested in either cinematic antiquity or the reception of the biblical figure, McDonough’s book will be a worthwhile addition to the corpus of modern research.– Martin Lindner, Georg-August-Universität Göttingen, BMCR

See the publisher website: Edinburgh University Press