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Kathleen Collins

The Black Essai Film

by

Type
Biographies
Subject
Director
Keywords
Kathleen Collins, director, woman
Publishing date
Publisher
Edinburgh University Press
Collection
Visionaries: The Work of Women Filmmakers
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover176 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-4744-4068-4
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Book Presentation:
Explores the New York Black Independent Film movement in the context of Kathleen Collins’s work as a philosopher filmmaker
• Analyses Collins's films as the site of a convergence of ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking
• Provides contexts for Collins's use of African American folklore and oral culture in her films
• Examines Collins's influence on African American woman filmmakers

A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins’s films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.

Exploring the philosophical aspects of Collins’s films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.

About the Author:
Geetha Ramanathan is Professor of Comparative Literature at West Chester University where she teaches Comparative Literature, film and Women’s Studies (including Feminist Film and African American Film). Her interests include modernist, feminist and third world literature.

Press Reviews:
In her fascinating and important book, Geetha Ramanathan gives the films of Kathleen Collins the astute and attentive analysis they deserve, usefully placing them in the context of Collins’ wide aesthetic and philosophical interests as well as her plays and stories. This welcome study makes a crucial contribution to Collins’ recent return to both film history and African American culture.
– Professor Laura Mulvey, Birkbeck University of London

See the

See the Kathleen Collins on the website: IMDB ...

> From the same author:

Feminist Auteurs:Reading Women's Films

(2007)

Reading Women's Films

by

Subject:

> On a related topic:

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