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The Aesthetics of Digital Montage

Film Editing and Technological Change

by Marc Furstenau

Type
Studies
Subject
TechniqueEditing
Keywords
editing, technology, digital
Publishing date
2024 (October 28, 2024)
Publisher
Amsterdam University Press
Collection
Cinema and Technology
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 372 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-94-6372-280-3
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Book Presentation:
Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema.

See the publisher website: Amsterdam University Press

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Special Effects on the Screen (2022)

Faking the View from Méliès to Motion Capture

Dir. Martin Lefebvre and Marc Furstenau

Subject: Technique > Special effects

The Film Theory Reader:Debates and Arguments

The Film Theory Reader (2010)

Debates and Arguments

Dir. Marc Furstenau

Subject: Theory

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