Performing Moving Images
Access, Archives and Affects
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
See the publisher website: Amsterdam University Press
> On a related topic:
Italian Experimental Cinema and Moving-Image Art (2025)
New Paths, New Perspectives
Dir. Rossella Catanese and Jennifer Malvezzi
Subject: Genre > Experimental
Experimental Found Footage Cinema (2024)
Dir. André Habib and Annaëlle Winand
(in English and French)
Subject: Genre > Experimental
Expanding Cinemas (2024)
Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960
Subject: Genre > Experimental
Bricolage and Engineering in Experimental Cinema (2023)
Dir. Eric Thouvenel
(in English and French)
Subject: Genre > Experimental