MENU   

Intertextual Encounters in American Fiction, Film, and Popular Culture

by

Type
Studies
Subject
Keywords
literature, movie script
Publishing date
Publisher
Bowling Green University Popular Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback230 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-87972-848-5
978-0-87972-848-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Intertextual encounters occur whenever an author or the author’s text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member’s familiarity with other texts. F. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million. Callie Khouri and Ridley Scott use the buddy-road-picture genre as an intertext for their Thelma and Louise. In all these cases, intertextual encounters take place between artists, between texts, between texts and audiences, between artists and audiences. Michael Dunne investigates works from the 1830s to the 1990s and from the canonical American novel to Bugs Bunny and Jerry Seinfeld.

> From the same author:

> On a related topic:

Premises and Problems:Essays on World Literature and Cinema

(2022)

Essays on World Literature and Cinema

Dir.

Subject:

Doing Text:Media After the Subject

(2017)

Media After the Subject

Dir. and

Subject:

Perpetual Carnival:Essays on Film and Literature

(2017)

Essays on Film and Literature

by

Subject:

Time Regained:World Literature and Cinema

(2023)

World Literature and Cinema

by

Subject:

James Joyce and Cinematicity:Before and After Film

(2022)

Before and After Film

by

Subject:

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info