Ingmar Bergman
by Noël Simsolo
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Ingmar Bergman (Sweden, 1918-2007) is, in the world of cinema, a giant whose stature is comparable to that of Beethoven or Dostoyevsky. He made around fifty feature films that caught the spirit of his times, while endlessly reworking his private obsessions and anguish in the face of a silent God. In Summer with Monika (1953), Harriet Andersson plays a scandalously unconventional and sensual young woman, a breath of freedom epitomizing a new modernity in film. The 1960s saw Bergman in experimental mode with Persona (1966), one of the most powerful depictions of the ambiguity of evil. Later, in Scenes from a Marriage (1973) he offers a lucid examination of a couple whose mutual attraction turns to destruction, while Fanny and Alexander (1982) is a joyful and nostalgic evocation of childhood memories. Bergman’s last film, Saraband (2003), is a spare masterpiece, at once an object lesson in how to make a film and an existential exploration.
Press Reviews:
On the Masters of Cinema Series
"Modern directors are briefly and brilliantly profiled in sharp prose and smart pictures in these movie master-classes for film buffs and beginners."―Saga
"Short, beautifully illustrated essays on great directors."―The Times
"Exceptional value... Lively and accessible... Indispensable."―Obessed With Film
"Bargain price. Does an already saturated market need yet more auteur guides? On this evidence, yes... Briskly paced, scalpel-sharp primers... The collective quality is high, the tone scholarly but not intimidating... A triumph of layout as much as content, each book glows with gorgeous on- and off-screen archive photography... Magnifique."―Total Film
See the publisher website: Phaidon Press
See the complete filmography of Ingmar Bergman on the website: IMDB ...
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