The Philosophy of Clint Eastwood

Ajouter à ma liste

Sous la direction de Richard T. McClelland et Brian B. Clayton

Type

Studies

Sujet

Director > Clint Eastwood

Mots Clés

Clint Eastwood, director, philosophy

Année d'édition

2014

Editeur

University Press of Kentucky

Collection

Philosophy of Popular Culture

Langue

anglais

Taille du livre

Format

Hardcover • 274 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-0-8131-4263-0

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959–1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964–1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director. Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timely volume discuss a variety of topics. They explore Eastwood's arresting critique and revision of the traditional western in films such as Unforgiven (1992), as well as his attitudes toward violence and the associated concept of masculinity from the Dirty Harry movies (starting in 1971) to Gran Torino (2008). The essays also chart a shift in Eastwood's thinking about the value of so-called rugged individualism, an element of many of his early films, already questioned in Play Misty for Me (1971) and decisively rejected in Million Dollar Baby (2004). Clint Eastwood has proven to be a dynamic actor, a perceptive and daring director, as well as an intriguing public figure. Examining subjects such as the role of civil morality and community in his work, his use of themes of self-reliance and religious awareness, and his cinematic sensibility, The Philosophy of Clint Eastwood will provide readers with a deeper sense of Eastwood as an artist and illuminate the philosophical conflicts and resolutions that drive his films.

À propos des auteurs :
Richard T. McClelland is professor of philosophy at Gonzaga University. Brian B. Clayton is associate professor of philosophy at Gonzaga University and director of the Gonzaga University Faith and Reason Institute.

Revue de Presse:
A worthwhile collection of essays. This book will be of interest to scholars of Clint Eastwood's work for its own sake, as well as those interested in using popular films as a vehicle for philosophical inquiry. -Dirk W. Eitzen, Franklin & Marshall College

A well-conceived and well-executed project, The Philosophy of Clint Eastwood illustrates that Eastwood philosophizes in a serious way on important topics through his art of filmmaking. This volume makes a significant contribution to the fields of film studies and philosophy. -Michael P. Foley, Baylor University

Voir le site internet de l'éditeur University Press of Kentucky

Voir la filmographie complète de Clint Eastwood sur le site IMDB ...