MENU   

The Films of Mira Nair

Diaspora Vérité

de

Type
Film Reviews
Sujet
Director
Mots Clés
Mira Nair, director, India
Année d'édition
Editeur
University Press of Mississippi
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback238 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-4968-2116-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
The Films of Mira Nair: Diaspora V rit presents the first, full-length scholarly study of her cinema. Mira Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe.
Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Nair's major works, including her early documentary projects as well as shorts. The subtitle, "diaspora v rit ," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cin ma v rit ) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities.

Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair.
Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema.

À propos de l'auteur :
Amardeep Singh is associate professor of English at Lehigh University and author of Literary Secularism: Religion and Modernity in Twentieth-Century Fiction. His work has appeared in The Encyclopedia of Postcolonial Studies, South Asian Review, Literary Compass, and Journal of Postcolonial Writing.

Voir le

Voir la Mira Nair sur le site IMDB ...

> Sur un thème proche :

Mercy in Her Eyes:The Films of Mira Nair

(2006)

The Films of Mira Nair

de

Sujet : Director >

Shyam Benegal:FilmMaker of the Real India

(2024)

FilmMaker of the Real India

de

Sujet : Director >

Bondhu:My Father, My Friend

(2023)

My Father, My Friend

de

Sujet : Director >

Basu Chatterji:And Middle-of-the-Road Cinema

(2023)

And Middle-of-the-Road Cinema

de

Sujet : Director >

Zikr:In The Light and Shade of Time

(2023)

In The Light and Shade of Time

de

Sujet : Director >

Satyajit Ray:From Frame to Frame

(2022)

From Frame to Frame

de

Sujet : Director >

Satyajit Ray:The Man Who Knew too Much

(2022)

The Man Who Knew too Much

de

Sujet : Director >

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info