Picturing Casablanca
Portraits of Power in a Modern City
by Susan Ossman

Average rating: ![]()
| 0 | rating | |
| 0 | rating | |
| 0 | rating | |
| 0 | rating |
Your rating: -
Book Presentation:
In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux.
Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media.
From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state.
In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrativ
About the Author:
Susan Ossman is Professor of Global Studies and Anthropology at UC Riverside.
> On a related topic:
André Bazin on Documentary (2026)
Cinema's Urge to Explore
Dir. André Bazin
Subject: Genre > Documentary
Staging Nuremberg (2026)
How the United States and the Soviet Union Fought Over the Portrayal of Nazi Crimes
Subject: Genre > Documentary
Interactive Documentary and Non-Fiction Media (2026)
Relational Practice and (De)Stabilized Reception
Dir. Tobias Conradi, Florian Krautkrämer and Vanessa Zallot
Subject: Genre > Documentary
The Interactive Documentary Form (2025)
Aesthetics, Practice and Research
Subject: Genre > Documentary
The Heroic Age of Antarctic Exploration on Film and Television, Volume 1 (2025)
Ernest Shackleton
by John Atkins
Subject: Genre > Documentary
The Heroic Age of Antarctic Exploration on Film and Television, Volume 2 (2025)
Scott and Amundsen
by John Atkins
Subject: Genre > Documentary