Les livres en français sont sur www.livres-cinema.info
MENU   

Picturing Casablanca

Portraits of Power in a Modern City

de Susan Ossman

Type
Stories
Sujet
GenreDocumentary
Mots Clés
documentary, Morocco
Année d'édition
1994
Editeur
University of California Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 276 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-520-08403-9
978-0-520-08403-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux.

Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media.

From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state.

In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrativ

À propos de l'auteur :
Susan Ossman is Professor of Global Studies and Anthropology at UC Riverside.

Voir le site internet de l'éditeur University of California Press

> Sur un thème proche :

Stories Make the World:Reflections on Storytelling and the Art of the Documentary

Stories Make the World (2025)

Reflections on Storytelling and the Art of the Documentary

de Stephen Most

Sujet : Genre > Documentary

Women and Global Documentary:Practices and Perspectives in the 21st Century

Women and Global Documentary (2025)

Practices and Perspectives in the 21st Century

Dir. Najmeh Moradiyan-Rizi et Shilyh Warren

Sujet : Genre > Documentary

Between Reality and Documentary:A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film

Between Reality and Documentary (2025)

A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film

de Shahd Abusalama

Sujet : Genre > Documentary

The Documentary Audit:Listening and the Limits of Accountability

The Documentary Audit (2025)

Listening and the Limits of Accountability

de Pooja Rangan

Sujet : Genre > Documentary

The Interactive Documentary Form:Aesthetics, Practice and Research

The Interactive Documentary Form (2025)

Aesthetics, Practice and Research

de Stefano Odorico

Sujet : Genre > Documentary

Antifascism and the Avant-Garde:Radical Documentary in the 1960s

Antifascism and the Avant-Garde (2025)

Radical Documentary in the 1960s

de Julia Alekseyeva

Sujet : Genre > Documentary

13685 livres recensés   •   (c)2024-2025 cinemabooks.info   •