Books in French are on www.livres-cinema.info
Dirty Real
Exile on Hollywood and Vine with the Gin Mill Cowboys
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
The story of how the movies assumed a gritty facade in the name of authenticity, with working actors transforming into artists, poets, painters, troubadours, and filmmakers—both on- and off-screen.
This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, parlayed a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. The result was a generation of movies, including The Hired Hand, Five Easy Pieces, Two-Lane Blacktop, The Last Picture Show, and Pat Garrett and Billy the Kid. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world.
Press Reviews:
“Stanfield’s takes are entertaining, erudite without being abstruse, and often amusingly contrarian. They have the feel of an academic version of Quentin Tarantino riffing on the hidden themes of his favorite obscure movies, pausing from time to time to sample from critical opinion and toss in some behind-the-scenes gossip. . . . Stanfield is splendid in his exegeses.”
Kyle Smith | Wall Street Journal
"A terrific new film book on a niche subject: Dirty Real, Stanfield's account of how a bunch of mostly middle-class (or rich) guys embraced hippie cowboy 'authenticity' and reinvented American cinema. . . . Stanfield works his way through the 60s and 70s concentrating on key works, such as Easy Rider, Dirty Little Billy, Cisco Pike, and films somewhat in opposition (like The Last Picture Show). Purely at a prose level it’s a groove and a gas to read."
Matt Zoller Seitz | @mattzollerseitz
"Stanfield . . . delivers a discerning deep dive into counterculture films of the late 1960s and early ’70s. According to Stanfield, such actors as Peter Fonda, Dennis Hopper, and Jack Nicholson played down the glamour that had previously characterized Hollywood stars in favor of grittier personas that reflected an emerging understanding that movies were no longer 'means of escape but a means of approaching a problem.' Astute analysis of key films of the era reveal how they tackled topical issues. . . . It’s a sharp study of the contradictions of post–flower power cinema."
Publishers Weekly
"In a challenging cultural rhapsody about the gritty authenticity characterizing films following the hippie era of the 1960s, Stanfield posits that the 1970s presented problem-based rather than escapist entertainment vehicles."
Library Journal
"Stanfield is a perceptive and graceful writer; he imparts knowledge to the reader while never sounding like he is lecturing. . . . Stanfield’s expertise and depth of knowledge make it feel like this is something we’re seeing for the first time."
Booklist
“So full of information, so culturally astute, and so beautifully written.”
Mike Scott, The Waterboys
"A few years ago, Stanfield slayed me with his book A Band with Built-In Hate: The Who from Pop Art to Punk—now he’s switched over to early ‘70s American cinema: Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, Sam Peckinpah + Five Easy Pieces, Two-Lane Blacktop, Last Picture Show, Pat Garrett, The Last Movie. The author seems a bit more cynical than me on these actors/movies but he admires and KNOWS the topic and I learned a lot. If you loved books like Easy Riders, Raging Bulls, and the book about Midnight Cowboy, you’ll love this too!"
Pat Thomas, author of "Listen, Whitey! The Sights and Sounds of Black Power 1965–1975"
See the publisher website: Reaktion Books
> From the same author:
Hoodlum Movies (2018)
Seriality and the Outlaw Biker Film Cycle, 1966-1972
Maximum Movies - Pulp Fictions (2011)
Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
'Un-American' Hollywood (2007)
Politics and Film in the Blacklist Era
by Frank Krutnik, Steve Neale, Brian Neve and Peter Stanfield
Subject: History of Cinema
Body And Soul (2005)
Jazz And Blues In American Film, 1927-63
Mob Culture (2005)
Hidden Histories of the American Gangster Film
Dir. Lee Grieveson, Esther Sonnet and Peter Stanfield
Subject: Genre > Gangster films
Horse Opera (2002)
The Strange History of the 1930s Singing Cowboy
> On a related topic:
Post-Fordist Cinema (2019)
Hollywood Auteurs and the Corporate Counterculture
by Jeff Menne
Subject: Countries > United States
Picturing Peter Bogdanovich (2020)
My Conversations With the New Hollywood Director
Subject: Director > Peter Bogdanovich
Heroes of the New Hollywood (2024)
Hoffman, Hackman, Nicholson, Pacino, Duvall, and De Niro in the '70s
by Dan Lalande
Subject: Countries > United States
New Wave, New Hollywood (2023)
Reassessment, Recovery, and Legacy
Dir. Nathan Abrams
Subject: Countries > United States
Women and New Hollywood (2023)
Gender, Creative Labor, and 1970s American Cinema
Dir. Aaron Hunter and Martha Shearer
Subject: Countries > United States
Echoes From The Set, Volume II (1967- 1977) (2021)
Shadows From the Underground: Cinema Under the Influence
Subject: Countries > United States
From El Dorado to Lost Horizons (2020)
Traditionalist Films in the Hollywood Renaissance, 1967-1972
by Ken Windrum
Subject: Countries > United States
Back
