MENU   

Young And Innocent?

The Cinema in Britain, 1896-1930

by

Type
Studies
Subject
Countries
Keywords
Great Britain, silent cinema
Publishing date
Publisher
University of Exeter Press
Collection
Exeter Studies in Film History
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback432 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-85989-717-6
978-0-85989-717-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s. From these accounts the youthful British cinema emerges as far from innocent. On the contrary, it was a fascinatingly complex field of cultural and industrial practices. The book also includes guides to bibliographical and archival sources and an extensive bibliography.

This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history.

About the Author:
Andrew Higson has been a member of the Film and Televisions Studies academic staff at the University of East Anglia since 1986, and was made a Professor of Film Studies in 2000. From 1991 to 1998, he was chair of the Film Studies sector; in August 2002, he took over as Dean of the School of English and American Studies. When this School was dissolved in 2004, he became the inaugral Head of the new School of Film and Television Studies. He is the author of Waving the Flag: Constructing a National Cinema in Britain (OUP, 1995), and editor of Dissolving Views: Key Writings on British Cinema (Cassell, 1996).

Press Reviews:

See the

> From the same author:

European Cinema and Television:Cultural Policy and Everyday Life

(2015)

Cultural Policy and Everyday Life

Dir. , and

Subject: Countries >

English Heritage, English Cinema:Costume Drama Since 1980

(2003)

Costume Drama Since 1980

by

Subject: Countries >

'Film Europe' and 'Film America':Cinema, Commerce and Cultural Exchange 1920-1939

(1999)

Cinema, Commerce and Cultural Exchange 1920-1939

Dir. and

Subject:

Waving the Flag:Constructing a National Cinema in Britain

(1997)

Constructing a National Cinema in Britain

by

Subject: Countries >

> On a related topic:

The Dream That Kicks:The Prehistory and Early Years of Cinema in Britain

(2017)

The Prehistory and Early Years of Cinema in Britain

by

Subject: Countries >

Legitimate Cinema:Theatre Stars in Silent British Films, 1908-1918

(2003)

Theatre Stars in Silent British Films, 1908-1918

by

Subject: Countries >

The First True Hitchcock:The Making of a Filmmaker

(2022)

The Making of a Filmmaker

by

Subject: One Film >

Pimple's Progress:Fred Evans, Britain's First Film Comedy Star

(2022)

Fred Evans, Britain's First Film Comedy Star

by

Subject: Actor >

Early British Animation:From Page and Stage to Cinema Screens

(2019)

From Page and Stage to Cinema Screens

by

Subject: Silent Cinema >

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info