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Elaine May

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Type
Studies
Sujet
Director
Mots Clés
Elaine May
Année d'édition
Editeur
University of Illinois Press
Collection
Contemporary Film Directors
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback192 pages
5 ½ x 8 ¼ inches (14 x 21 cm)
ISBN
978-0-252-08858-2
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Description de l'ouvrage:
A master of subverting tropes with surgical precision, Elaine May forged a career in 1970s Hollywood with films like The Heartbreak Kid and Mikey and Nicky. Elizabeth Alsop explores the director’s nonconformist and uncompromising vision while looking at May’s films against trends in classic and postclassical Hollywood. Shaped by her background and success in the theater, May brought the biting humor of her improv comedy to her filmmaking. But unfriendly media and a system hostile to both her methods and sensibility consigned her to “director’s jail” after the failure of Ishtar. As Alsop moves through the filmmaker’s four movies, she tracks May’s inventive treatment of favorite themes like hapless male characters and the inanities of American culture. She also considers May’s work in relation to her multifaceted career as a writer and performer.
A compelling reconsideration of an iconoclast and original, Elaine May reveals how a surprisingly radical auteur created her trademark cinema of discomfort.

À propos de l'auteur :
Elizabeth Alsop is an assistant professor of communication and media at the CUNY School of Professional Studies and a faculty member in Film and Media Cultures at the CUNY Graduate Center. She is the author of Making Conversation in Modernist Fiction.

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> Sur un thème proche :

Miss May Does Not Exist:The Life and Work of Elaine May, Hollywood's Hidden Genius

(2025)

The Life and Work of Elaine May, Hollywood's Hidden Genius

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