Vsevolod Pudovkin
Classic Films of the Soviet Avant-Garde
by Amy Sargeant
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Leon Moussinac, surveying the Soviet cinema scene in 1928, proclaimed Pudovkin, Eisenstein, and Vertov as its leading triumvirate. Yet there has been too little published on Pudovkin's significant work in Soviet cinema. Amy Sargeant's welcome book on Pudovkin assesses his career and his films, including the well-known features The Mother and The End of St. Petersburg, exploring their style and the circumstances surrounding their production. She also looks at the production and reception of his writings on film technique and performance, both inside the Soviet Union and in the West.
About the Author:
Amy Sargeant is Lecturer in Media Art at the University of Plymouth, Exeter.
See the publisher website: I.B.Tauris
See the complete filmography of Vsevolod Pudovkin on the website: IMDB ...
> Books with the same or similar title:
Vsevolod Pudovkin (2006)
Selected Essays
by Vsevolod Pudovkin and Werner Schroeter
Subject: Director > Vsevolod Pudovkin
> From the same author:
> On a related topic:
Vsevolod Pudovkin (2006)
Selected Essays
by Vsevolod Pudovkin and Werner Schroeter
Subject: Director > Vsevolod Pudovkin
An Imaginary Cinema (2024)
Sergei Eisenstein and the Unrealized Film
Subject: Director > Sergei Eisenstein
Kuleshov on Film (2018)
Writings of Lev Kuleshov
by Lev Kuleshov and Ronald Levaco
Subject: Director > Lev Kuleshov