Scenarios
Aguirre, the Wrath of God / Every Man for Himself and God Against All / Land of Silence and Darkness / Fitzcarraldo
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Book Presentation:
I do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.
When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.
And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence.
—Werner Herzog, on filmmaking
Werner Herzog doesn’t write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production—and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.
About the Author:
Werner Herzog has produced, written, and directed more than seventy films. He grew up in a remote mountain village in Bavaria and now lives in Los Angeles, California. He is author of Of Walking in Ice: Munich–Paris, 23 November–14 December 1974 (Minnesota, 2015) and Conquest of the Useless: Reflections from the Making of Fitzcarraldo.
Press Reviews:
"A compulsively readable, probing collection. It’s equal parts challenging and satisfying, infuriating and enlightening."—Publishers Weekly
"Herzog seems to peer nonstop into the abyss combining vainglory, cruelty, and madness. Those are the coordinates at which Herzog geolocates humanity."—BookForum
"Scenarios contains more than merely dialogue in cold type. Herzog’s screenplays read like novellas—the characters are fully thought-out and the settings are vividly described, albeit in long, medium and close shots."—Shepherd Express
"Herzog doesn’t write traditional scripts. Instead, Herzog writes scenarios which are like a hybrid of film, fiction, and prose poetry."—Film International
See the publisher website: University of Minnesota Press
See the complete filmography of Werner Herzog on the website: IMDB ...
> From the same author:
Every Man for Himself and God Against All (2024)
A Memoir
by Werner Herzog and Michael Hofmann
Subject: Director > Werner Herzog
Werner Herzog (2020)
A Guide for the Perplexed: Conversations with Paul Cronin
by Werner Herzog and Paul Cronin
Subject: Director > Werner Herzog
Scenarios III (2019)
Stroszek/ Nosferatu/ Phantom of the Night/ Where the Green Ants Dream/ Cobra Verde
Subject: Director > Werner Herzog
Scenarios II (2018)
Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass
Subject: Director > Werner Herzog
Herzog on Herzog (2003)
Conversations with Paul Cronin
by Werner Herzog and Paul Cronin
Subject: Director > Werner Herzog
> On a related topic:
Forgotten Dreams (2016)
Revisiting Romanticism in the Cinema of Werner Herzog
Subject: Director > Werner Herzog
The Films of Werner Herzog (2016)
Between Mirage and History
Dir. Timothy Corrigan
Subject: Director > Werner Herzog
Ferocious Reality (2012)
Documentary According to Werner Herzog
by Eric Ames
Subject: Director > Werner Herzog
The Cinema of Werner Herzog (2007)
Aesthetic Ecstasy and Truth
by Brad Prager
Subject: Director > Werner Herzog