MENU   

Federico Fellini

Contemporary Perspectives

Edited by and

Type
Studies
Subject
Director
Keywords
Federico Fellini
Publishing date
Publisher
University of Toronto Press
Collection
Toronto Italian Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback288 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-8020-7647-5
978-0-8020-7647-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender.

Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film.

This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience.

About the authors:
Frank Burke is Professor of Film Studies at Queen's University.
Marguerite R. Waller is Professor of English and Women's Studies, University of California, Riverside.

See the

See the Federico Fellini on the website: IMDB ...

> Books with the same or similar title:

> On a related topic:

The Dream of Life:A Novel Based on the Life of Federico Fellini

(2022)

A Novel Based on the Life of Federico Fellini

by

Subject: Director >

Fellini's Films and Commercials:From Postwar to Postmodern

(2020)

From Postwar to Postmodern

by

Subject: Director >

Political Fellini:Journey to the End of Italy

(2018)

Journey to the End of Italy

by

Subject: Director >

Fellini's Eternal Rome:Paganism and Christianity in the Films of Federico Fellini

(2018)

Paganism and Christianity in the Films of Federico Fellini

by

Subject: Director >

Federico Fellini as Auteur:Seven Aspects of His Films

(2015)

Seven Aspects of His Films

by

Subject: Director >

Fellini:The Sixties

(2015)

The Sixties

by

Subject: Director >

Inspiring Fellini:Literary Collaborations behind the Scenes

(2014)

Literary Collaborations behind the Scenes

by

Subject: Director >

Federico Fellini:Painting in Film, Painting on Film

(2013)

Painting in Film, Painting on Film

by

Subject: Director >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info