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Great Black Spider on Its Knock-Kneed Tripod

Reflections on Cinema in Early Twentieth-Century Italy

by Michael Syrimis

Type
Studies
Subject
CountriesItaly
Keywords
Italy, 1910s, history of cinema
Publishing date
2012
Publisher
University of Toronto Press
Collection
Toronto Italian Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 376 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-1-4426-4401-4
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Book Presentation:
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy’s writers with cinema, and in doing so offers vibrant new perspectives on the country’s early twentieth-century culture.

This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision – Filippo Tommaso Marinetti, founder of Futurism; Gabriele D’Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author’s outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.

About the Author:
Michael Syrimis is an assistant professor in the Department of French and Italian at Tulane University.

See the publisher website: University of Toronto Press

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