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Fashioning Spanish Cinema

Costume, Identity, and Stardom

de Jorge Pérez

Type
Studies
Sujet
TechniqueCostumes
Mots Clés
Spain, costumes, fashion
Année d'édition
2021
Editeur
University of Toronto Press
Collection
Toronto Iberic
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 280 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-1-4875-0911-8
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Description de l'ouvrage:
Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies.

Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion.

Sommaire:
Acknowledgments
Introduction: Fashion, Costume, and Spanish Cinema
1. Fashioning National Stars: Balenciaga and Spanish Cinema
2. Almodóvar and Chanel: High Fashion, Desire, and Identity
3. Men in Underwear in Spanish Cinema
4. Dressing the Immigrant Other
5. Self-Fashioning Stardom: The Red-Carpet Matters
Conclusion: Fashioning Identity and Stardom

Voir le site internet de l'éditeur University of Toronto Press

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Confessional Cinema:Religion, Film, and Modernity in Spain's Development Years, 1960-1975

Confessional Cinema (2017)

Religion, Film, and Modernity in Spain's Development Years, 1960-1975

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