Filming Difference
Actors, Directors, Producers and Writers on Gender, Race and Sexuality in Film
Edited by Daniel Bernardi
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects.
Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting.
Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.
About the Author:
Daniel Bernardi is Director of Film and Media Studies at Arizona State University in Tempe. He is the author of STAR TREK and History: Race-ing Toward Whiteness and editor of several volumes on whiteness and film history.
See the publisher website: University of Texas Press
> From the same author:
Off the Page (2017)
Screenwriting in the Era of Media Convergence
by Daniel Bernardi and Julian Hoxter
Subject: Technique > Scriptwriting
Hollywood's Chosen People (2012)
The Jewish Experience in American Cinema
Dir. Daniel Bernardi, Hava Tirosh-Samuelson and Murray Pomerance
Subject: Countries > United States
The Persistence of Whiteness (2007)
Race and Contemporary Hollywood Cinema
Dir. Daniel Bernardi
Subject: Sociology
> On a related topic:
Affirmative Aesthetics and Wilful Women (2021)
Gender, Space and Mobility in Contemporary Cinema
Subject: Sociology
America on Film (2021)
Representing Race, Class, Gender, and Sexuality at the Movies, 3rd Edition
by Harry M. Benshoff and Sean Griffin
Subject: Sociology
Reversing the Lens (2003)
Ethnicity, Race, Gender, and Sexuality through Film
Dir. Jun Xing and Lane Ryo Hirabayashi
Subject: Sociology
Shifting Gender Identities in Popular Culture (2025)
Essays on Representation Since 2010
Dir. Laura J. Getty and Josef Vice
Subject: Sociology
Toxic Masculinity (2020)
Mapping the Monstrous in Our Heroes
Dir. Esther de Dauw and Daniel J. Connell
Subject: Sociology
Reel Vulnerability (2013)
Power, Pain, and Gender in Contemporary American Film and Television
Subject: Sociology
Diversity in Disney Films (2013)
Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability
Dir. Johnson Cheu
Subject: Studio > Disney Studios