MENU   

The Rise of Cable Programming in the United States

Revolution or Evolution?

de

Type
Studies
Sujet
Mots Clés
television, distribution
Année d'édition
Editeur
University of Texas Press
Collection
Texas Film and Media Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback245 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-292-75273-3
978-0-292-75273-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
In 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"?

In this book, Megan Mullen examines the first half-century of cable television to understand why cable never achieved its promise as a radically different means of communication. Using textual analysis and oral, archival, and regulatory history, she chronicles and analyzes cable programming developments in the United States during three critical stages of the medium's history: the early community antenna (CATV) years (1948-1967), the optimistic "blue sky" years (1968-1975), and the early satellite years (1976-1995). This history clearly reveals how cable's roots as a retransmitter of broadcast signals, the regulatory constraints that stymied innovation, and the economic success of cable as an outlet for broadcast or broadcast-type programs all combined to defeat most utopian visions for cable programming.

À propos de l'auteur :
Megan Mullen is Professor of Communication at the University of Wisconsin–Parkside.

Voir le

> Sur un thème proche :

Pandora's Box:How Guts, Guile, and Greed Upended TV

(2023)

How Guts, Guile, and Greed Upended TV

de

Sujet :

Broadcasting Hollywood:The Struggle over Feature Films on Early TV

(2021)

The Struggle over Feature Films on Early TV

de

Sujet :

The Cinema Dreams Its Rivals:Media Fantasy Films from Radio to the Internet

(2006)

Media Fantasy Films from Radio to the Internet

de

Sujet :

Choice in the Age of Multi-channel Transition:Technologies, Narrative Forms and Reception

(2024)

Technologies, Narrative Forms and Reception

Dir.
(en anglais et français)

Sujet :

Mothers on American Television:From Here to Maternity

(2023)

From Here to Maternity

de

Sujet :

The New Female Antihero:The Disruptive Women of Twenty-First-Century US Television

(2022)

The Disruptive Women of Twenty-First-Century US Television

de et

Sujet :

Truth and Consequences:Game Shows in Fiction and Film

(2019)

Game Shows in Fiction and Film

de

Sujet :

Recycled Stars:Female Film Stardom in the Age of Television and Video

(2015)

Female Film Stardom in the Age of Television and Video

de

Sujet :

17296 livres recensés   •   (c)2024-2026 cinemabooks.info   •     •   Politique de confidentialité
Les livres en français sont sur www.livres-cinema.info