Ascetic Images

Anna Maria Ortese and Roberto Rossellini in the Underworld

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by Achille Castaldo

Type

Studies

Subject

Director > Roberto Rossellini

Keywords

Roberto Rossellini, Italy, social aspects

Publishing date

2026 (January 01, 2026)

Publisher

State University of New York Press

Collection

SUNY series, Literature...in Theory

Language

English

Relative size

Physical desc.

Hardcover • 302 pages
6 x 9 inches (15 x 23 cm)

ISBN

979-8-8558-0501-7

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Book Presentation:
Examines the narrative articulation of social invisibility in works by two of the most influential Italian cultural producers of the twentieth century.

The product of centuries of systemic violence and active marginalization, the lumpenproletariat haunts modernity and its afterlives, from the dark corners of the industrial metropolis to present-day slums. Ascetic Images explores the Neapolitan version of this enigmatic social group as it enters the works of writer Anna Maria Ortese and filmmaker Roberto Rossellini in the post–World War II era. An exercise in critical narratology of film and literature, the book reconstructs the "ascetic images" inscribed in their texts―the traces of the traumatic experience of the urban underclass, obscured by dominant discourses. Looking especially at Ortese’s "The Silence of Reason" (1953) and Rossellini’s Journey to Italy (1954), Achille Castaldo proposes a method of close reading that reveals the narrative articulation of social invisibility and gestures toward the political crises of the present as marginalized groups are increasingly pushed beyond the limits of our fragile social awareness.

This book is freely available in an open access edition thanks to the generous support of Emory University and the Andrew W. Mellon Foundation.

About the Author:
Achille Castaldo is Assistant Professor of Italian Studies in the Department of French and Italian at Emory University.

Press Reviews:
"Ascetic Images stands out as a highly original, rigorously researched, and cogently argued intervention in the fields of Italian studies, film/visual studies, and literary theory. Castaldo pursues the elaboration of a reading method attuned to both the formal complexities of the aesthetic object and the specificities of the historical context with remarkable lucidity. His formal analyses of Ortese and Rossellini are impeccable and inspiring. Even more remarkably, Castaldo devotes the same kind of attention to theoretical texts that too often are read only for their 'content,' carefully combining narrative semiotics (Greimas), Marxist critique of ideology (Jameson), and phenomenology (Ingarden, Merleau-Ponty)." ― Domietta Torlasco, author of The Rhythm of Images: Cinema beyond Measure

See the publisher website: State University of New York Press

See the complete filmography of Roberto Rossellini on the website: IMDB ...