Reimagining Dance on Screen

A Practical Guide to Dance-Filmmaking

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by Mitchell Rose

Type

Didactic

Subject

Technique > Acting

Keywords

dance, choreographer

Publishing date

2026 (October 15, 2026)

Publisher

Routledge

Collection

Advances in Theatre & Performance Studies

Language

English

Relative size

Physical desc.

Paperback • 280 pages
6 x 9 inches (15 x 23 cm)

ISBN

978-1-04-103575-6

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Book Presentation:
Reimagining Dance on Screen is a hands-on guide for dancers, choreographers, filmmakers, and independent artists who want to create compelling dance-films. Written from a dancer’s perspective, it approaches dance on camera as a cinematic art form―not simply choreography documented on video.

This volume is aimed at makers rather than theorists―the book emphasizes practical, experience-based guidance over academic study. Its central premise is straightforward: when dance moves onto the screen, the result is not a filmed dance, but a film shaped by cinematic choices. It covers essential filmmaking techniques such as visual storytelling, shot design, camera movement, and editing―tailored to transform dance into a cinematic experience.

The book includes 12 video tutorials and 50 downloadable dance clips for editing practice. Designed for both classroom use and independent practice, it supports artists working solo or with limited resources and assumes no prior editing experience. With an emphasis on creativity over expensive equipment, its clear and encouraging tone invites artists to think cinematically and approach dance-film as a playful, rigorous, and deeply expressive form. It is ideal for students and professionals in dance, film, and the performing arts, whether exploring new artistic mediums or the intersection of movement and cinema.

About the Author:
Mitchell Rose is a former choreographer who turned filmmaker after studying directing at the American Film Institute. His films have received over 100 international festival awards, and The New York Times called him “a rare and wonderful talent.” He was a professor of dance-filmmaking at The Ohio State University.

Press Reviews:
"Mitchell Rose has redefined the landscape of dance-film with his distinctive approach. By working with film syntax as the source material for a choreographic concept, he has opened up myriad possibilities for choreographers, dancers and filmmakers. This witty and useful book provides practical support to any artist seeking to weave movement with film."
Meredith Monk, Composer, Interdisciplinary Artist

"The world of screendance is exploding but utterly overwhelming―yet finally, here is Mitchell Rose with an indispensable road map, a how-to and a do-not-miss-it pep talk. On top of everything, Rose keeps us laughing throughout. Grab this book and keep it closer than your camera!"
Matthew Diamond, Director of So You Think You Can Dance (four-time Emmy winner) and the Oscar-nominated Dancemaker

"Mitchell has always made generous, engaging films that meld the people moving with the moving image. Now, dance makers of all ages and experiences have an indispensable guide to making films that move, and will move their audiences. Devour this book―it will lead you on a new path of endless, gratifying making. I wish I had read this eons ago."
David Dorfman, Choreographer/Performer/Educator

"Mitchell’s classes opened my eyes to a whole new way of seeing dance―and putting it on the screen. They shifted my entire artistic direction. This book distills that same clarity and insight."
Coal Rietenbach, Videographer at Alvin Ailey, and former student of Mitchell Rose

See the publisher website: Routledge