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Composing for Silent Film

by

Type
Didactic
Subject
Technique
Keywords
music, silent cinema, music composer
Publishing date
Publisher
Routledge
Collection
Routledge Focus
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback136 pages
5 ¾ x 8 ¾ inches (14.5 x 22 cm)
ISBN
978-1-032-18421-0
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Book Presentation:
Composing for Silent Film offers insight, information, and techniques for contemporary composition, arrangement, and live score performance for period silent film. A specialized music composition guide, this book complements existing film scoring and contemporary music composition texts. This book helps today’s composers better understand and correctly interpret period silent film, and to create and perform live scores that align with films’ original intentions, so that audiences notice and grasp fine points of the original film.

Composing for Silent Film analyzesperiod silent film and its conventions – from Delsarte acting gestures to period fascinations and subtexts. As a practical composition text, it weighs varying approaches, including improvisation, through-scoring, "mickey-mousing," handling dialogue, and dividing roles amongst players. It steers composers towards informed understanding of silent film, and encourages them to deploy contemporary styles and techniques in exciting ways.

For clarity and concision, examples are limited to nine canonical silents: Metropolis, Dr. Jekyll and Mr. Hyde, The Mark of Zorro, Sunrise: A Song of Two Humans, The Black Pirate, Nosferatu, The Phantom Carriage, Daisy Doodad’s Dial, and The Golem.

About the Author:
Jack Curtis Dubowsky is a composer, author, music editor, educator, and filmmaker. Books include Intersecting Film, Music, and Queerness and Easy Listening and Film Scoring 1948–78 (Routledge 2021). Dubowsky is a member of the Academy of Television Arts and Sciences, the Recording Academy, the Motion Picture Editors Guild, and a fellow of the Virginia Center for the Creative Arts.

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