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I've Heard the Mermaids Singing

A Queer Film Classic

by

Type
Essays
Subject
One Film
Keywords
Patricia Rozema, queer
Publishing date
Publisher
Arsenal Pulp Press
Collection
Queer Film Classics
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback160 pages
5 x 7 inches (12.5 x 17.5 cm)
ISBN
978-1-55152-564-8
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Book Presentation:
A Queer Film Classic on Canadian director Patricia Rozema's I've Heard the Mermaids Singing, her quirky and hopeful first feature film which made its premiere at Cannes and won its Prix de la jeunesse. Presented as a "videotaped confession," it tells the story of Polly Vandersma, an unpretentious and introverted young woman who takes photographs as a hobby and works as a personal assistant to an elegant and sophisticated, but unsatisfied, art gallery director, Gabrielle St. Peres, whom she worships. This book presents a new close textual analysis of Mermaids that places this complex yet teachable film unquestionably within the global queer film canon while uncovering many of its complexities. The film has appeared on the Maclean's "Top 10 Films of the 20th Century" and Toronto International Film Festival's Best 10 Canadian Films of All Time.

Julia Mendenhall, a longtime fan of the film, places it in the context of the director's life experiences and her filmic oeuvre, the production and reception history of the film within the mid to late 1980s and the 1990s era of "outing," and the development of queer theory.

About the Author:
Julia Mendenhall: Julia Mendenhall is an Assistant Professor at Temple University, where she teaches transnational film and queer theory for the English Department and Women’s Studies Program. In 2006, she conducted research on Canadian lesbian films with a U.S. State Department Fulbright Scholarship.

See the

See I've Heard the Mermaids Singing (1987) on IMDB ...

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